Background
Transcription
Translation
Glossary
Description
Other visual elements
As with many Kalpa-sūtra manuscripts, there is a clear intention to make the manuscript a valuable and remarkable object in itself. This aim is signalled by the:- shape and style of the script, which is close to calligraphy
- red background for the text
- gold ink instead of the standard black ink for the writing
- gold in the paintings instead of ordinary colours
- decorated borders with floral arabesques in blue, black and red.
- division of the text into two parts by a central border of intricate blue arabesques.
Script
The elaborate script used is the Jaina Devanāgarī script, which is here like calligraphy. There are a few notable features of this script, namely:- it is an old type in the way the sounds e and o are notated when used with a consonant, known as pṣṭhamātrā script
- the use of the number 2 to avoid repeating a word or a phrase already mentioned, for example line 4: '2 Bhārahe vāse' means 'jeṇ’eva Bhārahe vāse'.
- Source:
Victoria and Albert Museum
- Shelfmark:
IM 7-1931
- Author:
unknown
- Date of creation:
circa 1490
- Folio number:
7 verso
- Total number of folios:
single folio
- Place of creation:
western India
- Language:
Ardhamāgadhī Prākrit
- Medium:
watercolour on paper
- Size:
25 x 10.5 cms
- Copyright:
V&A Images/Victoria and Albert Museum, London
- Image Copyright:
- +
- aAbhavya
- aAbhinandana
- aAbhiṣeka
- aĀcāra
- aĀcārāṅga-sūtra
- aĀcārya
- aAchalbhrata
- aAḍhāī-dvīpa
- aAdharma
- aAdho-loka
- aAdhyayana
- aAdvaita Vedānta
- aĀgama
- aAghātīya
- aAghātīya-karman
- aAgnibhuti
- aAgra
- aĀhāra
- aAhiṃsā
- aAhimsa Day
- aAjita
- aAjīva
- aAkampit
- aĀkāśa
- aAkbar the Great
- aAkṣaya-tṛtīyā
- aAlauddin Khalji
- aAlbert Einstein
- aAllah
- aAlms
- aĀlocanā
- aAloka-ākāśa
- aAmāri
- aAmbikā or Kūṣmāṇḍinī
- aAnagāra
- aAnanta
- aAnarthadaṇḍa
- aAnaśana
- aAnekānta-vāda
- aAṅga
- aAniconism
- aAnojjā
- aAntarāla
- aAntarāya-karma
- aAṇu
- aAṇu-vrata
- aAnukampā
- aAnuprekṣā
- aAnusvāra
- aApabhraṃśa
- aAparigraha
- aAra
- aĀrambha
- aĀrambhaja
- aĀratī
- aArdhamāgadhī Prākrit
- aArhaṃ
- aArhat
- aArśana-āvaraṇīya-karma
- aĀrta-dhyāna
- aĀryikā
- aĀryikā Jñānamati
- aĀśātanā
- aĀścarya
- aAscetic
- aAsceticism
- aAshram
- aAspiration
- aĀsrava
- aAṣṭa-maṅgala
- aAṣṭāpada
- aAstikāya
- aAstrolabe
- aAsura
- aAtheism
- aAticāra
- aAtiśayakṣetra
- aAtithisaṃvibhāgavrata
- aĀtma-vāda
- aĀtman
- aAuṃ
- aAurangzeb
- aAuspicious
- aAusterity
- aAvadhāna
- aAvadhi-jñāna
- aĀvaraṇī-yakarman
- aAvasarpiṇī
- aAvatāra
- aAvidyā
- aAxiom
- aĀyāga-paṭa
- aĀyambil
- aĀyu-karma
- aĀyurveda
- bBabur
- bBāhubali
- bBaladeva
- bBālāvabodha
- bBandha
- bBasadi
- bBazaar
- bBhadrankarvijay
- bBhagavant
- bBhaktāmara-stotra
- bBhakti
- bBhale
- bBharata
- bBhāṣā
- bBhāṣya
- bBhaṭṭāraka
- bBhāva
- bBhāva-pūjā
- bBhāvanā
- bBhavana-vāsin
- bBhavya
- bBhavyatva
- bBhaya
- bBhoga-bhūmi
- bBhogopabhoga
- bBodhi
- bBollywood
- bBrahmā
- bBrahma-deva
- bBrahmacārī
- bBrāhmaṇa
- bBraj Bhāṣā
- bBright fortnight
- bBritish Raj
- bBuddha
- bBuddhi-sagar
- bBuddhism
- bBuddhist
- cCaitya
- cCaityavāsin
- cCakravartin
- cCakreśvarī
- cCāmara
- cCandanā
- cCandragupta
- cCandraprabha
- cCanon
- cCāritra
- cCāritramohanīya-karman
- cCarũrī
- cCaste
- cCaturvidha-saṅgha
- cCaturviṃśati-stava
- cCāturyāma
- cCE
- cCelibacy
- cCha
- cChadmastha
- cChastity
- cCheda-sūtra
- cChristian
- cChristianity
- cClergy
- cCloning
- cColophon
- cCommentary
- cConch
- cConfession
- cCongregation
- cConsecration
- cCosmology
- cCremation
- cCrore
- cCult
- cCūrṇi
- dDādā-guru
- dDalit
- dDāna
- dDaṇḍa
- dDark fortnight
- dDarśana
- dDarśanamohanī-yakarman
- dDaśa-lakṣaṇa-parvan
- dDeity
- dDelhi Sultanate
- dDerāsar
- dDeśāvakāśika-vrata
- dDetachment
- dDevanāgarī
- dDevānandā
- dDevarddhi-gani
- dDevotee
- dDhamal
- dDhanuṣ
- dDhāra
- dDharma
- dDharma-dhyāna
- dDharma-sāgara
- dDharmastikaya
- dDhātakīkhaṇḍa
- dDholak
- dDhyāna
- dDiaspora
- dDig-vrata
- dDigambara
- dDīkṣā
- dDisciple
- dDīvālī
- dDivya-dhvani
- dDNA
- dDoctrine
- dDogma
- dDonor
- dDoṣa
- dDravya
- dDravya-pūjā
- dDrone
- dDuṣamā
- dDuṣamā-duṣamā
- dDuṣamā-suṣamā
- dDveṣa
- dDvīpa
- eEast India Company
- eEightfold Path
- eEkānta-vāda
- eEkendriya
- eElder
- eElders
- eEschatology
- eEtc up to
- fFarmān
- fFast
- fFatehpur Sikri
- fFestival
- fFestschrift
- fFiruz Shah
- fFly-Whisks
- fFolio
- fFour Noble Truths
- gGaccha
- gGaṇa
- gGaṇadhara
- gGanadharavada
- gGaṇeśa
- gGaṇin
- gGarba
- gGarbha
- gGarbha-gṛha
- gGaruḍa
- gGati
- gGene
- gGenomics
- gGhātī-yakarman
- gGhātīya
- gGhaznavid
- gGhiyasuddin Tughlaq
- gGhurid
- gGloss
- gGotra-karma
- gGujarāt
- gGujarati
- gGuṇa
- gGuṇa-sthāna
- gGuṇa-vrata
- gGupti
- gGuru
- gGuruṇī
- hHagiography
- hHajj
- hHaṃsa
- hHaribhadra
- hHariṇaigameṣin
- hHasta
- hHeresy
- hHiṃsā
- hHindi
- hHindu
- hHinduism
- hHīravijaya
- hHoroscope
- hHrīṃ
- hHumayun
- hHymn
- iIconoclasm
- iIconography
- iIdol
- iIndian Independence
- iIndology
- iIndra
- iIndrabhūti Gautama
- iIndriya
- iInitiation
- iIntercession
- iInvocation
- iIQ
- iIslam
- iIslamicate
- iIṣṭadevatā
- iĪśvara
- jJagat
- jJahangir
- jJain
- jJaina Devanāgarī
- jJaina Śaurasenī
- jJaina-dharma
- jJainaśāsana
- jJainness
- jJaisalmer
- jJamāli
- jJambū-dvīpa
- jJames Burgess
- jJanma
- jJanma-kalyāṇa
- jJarā
- jJāti
- jJina
- jJina-āgama
- jJina-bhavana
- jJina-bimba
- jJina-mātā
- jJinacandra-sūri
- jJinadatta
- jJinaprabha
- jJīva
- jJñāna
- jJñāna-āvaraṇīya-karma
- jJñāna-āvarṇiya
- jJñānsundar
- jJyotiṣka
- kKāla
- kKālakācārya-kathā
- kKālidāsa
- kKalpa-sūtra
- kKalpa-vṛkṣa
- kKalyāṇaka
- kKalyanvijay
- kKamaṇḍalu
- kKamaṭha
- kKarma
- kKarma-bhūmi
- kKarma-grantha
- kKarma-prakṛti
- kKarma-vāda
- kKarmon
- kKarnataka
- kKaṣāya
- kKathā
- kKāvya
- kKāya
- kKāyotsarga
- kKeśa-loca
- kKetu
- kKevala-jñāna
- kKevalin
- kKhalji
- kKharatara-gaccha
- kKnowledge
- kKriyā
- kKriyā-vāda
- kKṛṣṇa
- kKṣamā-śramaṇa
- kKṣapakaśreṇi
- kKṣatriya
- kKṣullaka
- kKulakara
- kKundakunda
- kKunthu
- lLabdhi
- lLaity
- lLakh
- lLāñchana
- lLands of Action
- lLaukāntika
- lLavaṇa-samudra
- lLeśyā
- lLiṅga
- lLinguistics
- lLoka
- lLoka-ākāśa
- lLoka-puruṣa
- lLoka-vāda
- lLotus
- lLotus lake
- mMadhya-loka
- mMahā-videha
- mMahā-vrata
- mMahābhārata
- mMahāmastakābhiṣeka
- mMāhārāṣṭra
- mMāhārāṣṭrī Prākrit
- mMahattarā Yākinī
- mMahāvīr Jayantī
- mMahāvīra
- mMakāra
- mMakkhali Gośāla
- mMalli
- mMāna-stambha
- mManaḥ-paryāya-jñāna
- mMaṇḍala
- mMaṇḍapa
- mMandit
- mMaṅgala
- mMantra
- mMantras
- mManuṣya-loka
- mMarāṭhī
- mMārgaṇā
- mMartyr
- mMarudevī
- mMaṭha
- mMati-jñāna
- mMauryaputra
- mMecca
- mMendicant lineage
- mMetarya
- mMiracle
- mMithyādṛṣṭi
- mMohandas Gandhi
- mMohanīya-karma
- mMokṣa
- mMonastic order
- mMonasticism
- mMonk
- mMonotheism
- mMosque
- mMount Meru
- mMount Sammeta
- mMṛgāvatī
- mMughal
- mMuhammad
- mMuhammad bin Tughlaq
- mMuhpattī
- mMūla-sūtra
- mMūlaguṇa
- mMumbaī
- mMuni
- mMunisuvrata
- mMurad Bakhsh
- mMūrti-pūjaka
- mMuslim
- mMysticism
- nNābhi
- nNāga-kal
- nNāgapurīya Tapā-gaccha
- nNāgarī
- nNāma-karma
- nNamaskāra-mantra
- nNami
- nNandīśvara-dvīpa
- nNandivardhana
- nNandyāvarta
- nNāraka
- nNāraki
- nNasalisation
- nNātha
- nNavrātrī
- nNaya-vāda
- nNemi
- nNidāna
- nniggaṃthāṇa vā 2
- nniggaṃtho vā 2
- nNigoda
- nNihnava
- nNikṣepa
- nNirgrantha
- nNirjarā
- nNirvāṇa
- nNiryukti
- nNiṣidhi
- nNitya
- nNiyati
- nNo-kaṣāya
- nNudity
- nNun
- oOcean of milk
- oOmniscience
- oOrdination
- ppa°
- pPadmaprabha
- pPadmāsana
- pPadmāvatī
- pPādukā
- pPalanquin
- pPalette
- pPañca-muṣṭi
- pPāṇḍava
- pPaṇḍit
- pPandit Dalsukh D. Malvania
- pPandit Sukhlalji
- pPāṇipātra
- pPāpa
- pParamātman
- pParameṣṭhin
- pPāraṇā
- pParigraha
- pPariṇāma
- pParīṣaha
- pParokṣa
- pPārśva
- pPārśvanātha
- pParyāya
- pParyuṣaṇ
- pPaṭa
- pPatan
- pPātra
- pPenance
- pPersian
- pPhala
- pPhilology
- pPicchikā
- pPilgrimage
- pPīr
- pPolymath
- pPoṣadha
- pPossession
- pPothī
- pPrabhas
- pPradakṣiṇā
- pPradeśa
- pPrākāra
- pPrakīrṇaka-sūtra
- pPrākrit
- pPramāda
- pPramukhā
- pPrati-vāsudeva
- pPratikramaṇa
- pPratimā
- pPratiṣṭhā
- pPratyākhyāna
- pPratyakṣa
- pPravacana
- pPrāyaścitta
- pPrayer
- pPre-modern
- pPreach
- pPredestination
- pProtestant
- pProvenance
- pPudgala
- pPūjā
- pPujārī
- pPukharavara-dvīpa
- pPuṇya
- pPūrva
- pPuṣkara-dvīpa
- pPuṣpadanta
- pPyre
- qQur’an
- rRāga
- rRāhu
- rRainy season
- rRajasthan
- rRajasthani
- rRājimatī
- rRajoharaṇa
- rRajput
- rRāma
- rRāmāyaṇa
- rRangoli
- rRās-garbā
- rRasa
- rRathanemi
- rRatna-traya
- rRātri-bhojana
- rRaudra-dhyāna
- rRecto
- rRelic
- rRenunciation
- rRetroflex
- rRevatī
- %Ṛg-veda
- rRite
- rRosary
- %Ṛṣabha
- %Ṛṣabhanātha
- rRupee
- sSaciyā Mātā
- sSādhu
- sSādhvī
- sSāgāra
- sSaint
- sŚaivaism
- sŚaka-saṃvat
- sSallekhanā
- sŚalya
- sSamacatuṣṭha
- sSamādhimaraṇa
- sSamaṇi
- sSāmarambha
- sSamavasaraṇa
- sSāmāyika
- sSaṃbhava
- sSamiti
- sSaṃjñā
- sSaṃkalpaja
- sSaṃsāra
- sSamudghāta
- sSaṃvara
- sSaṃvega
- sSamyak-cāritra
- sSamyak-darśana
- sSamyak-jñāna
- sSamyaktva
- sSaṃyama
- sSanctuary
- sSandalwood
- sSaṇgha
- sSanskrit
- sSant
- sŚānti
- sSapta-bhaṅgi-naya
- sSārambha
- sSarasvatī
- sSarvajña
- sSāsan-devi
- sŚāsana-devatā
- sŚāstra
- %Ṣaṭ-jīvanikāya
- sSatī
- sSatīmātā
- sSatya
- sSchism
- sScribe
- sScripture
- sSect
- sSecularism
- sŚenāī
- sSermon
- sŚeṣavatī
- sSevā
- sSeven fields of donation
- sShah Jahan
- sShantidas Jhaveri
- sShrine
- sSiddha
- sSiddha-śilā
- sSiddhacakra or Navadevatā
- sSiddhānta
- sSiddhārtha
- sSiddhi
- sSikh
- sSikhism
- sŚikṣā-vrata
- sŚīla
- sSin
- sSindh
- sŚītala
- sŚiva
- sSkandha
- sSomanatha
- sŚraddhā
- sŚramaṇa
- sŚrāvaka
- sŚrāvakācāra
- sŚrāvikā
- sŚreyāṃsa
- sŚrī
- sŚrīvatsa
- sŚruta-jñāna
- sŚruta-pañcamī
- sSthānaka-vāsin
- sSthāpanācārya
- sSthāvara
- sSthavira
- sSthiti
- sStrīmukti
- sStūpa
- sSubcontinent
- sSudarshana
- sŚuddhi
- sSudharma
- sŚūdra
- sSufism
- sSukha
- sŚukla-dhyāna
- sSulasā
- sSultan
- sSumati
- sSundarśrī
- sSupārśva
- sSūri
- sSuṣamā
- sSuṣamā-duṣamā
- sSuṣamā-suṣamā
- sSūtra
- sSuyam me ausam! Tenam bhagavaya evamakkhayam
- sSvādhyāya
- sSvāhā
- sSvastika
- sŚvetāmbara
- sŚvetāmbara Terāpanthin
- sŚvetāmbaras
- sSwan
- sSyād-vāda
- tTabla
- tTantra
- tTapā-gaccha
- tTapas
- tTāraṇ Svāmī Panth
- tTattva
- tTattvārtha-sūtra
- tTemple
- tTemple-city
- tThe Enlightenment
- tTheology
- tThree worlds
- %Ṭīkā
- tTilaka
- tTīrtha
- tTīrthaṃkaranāma-karman
- tTīrthankara
- tTransliteration
- tTrasa
- tTrasa-nāḍī
- tTriśalā
- tTriṣaṣṭi-śalākā-puruṣa-caritra
- tTti bemi
- tTughlaq
- tTunk
- uUdumbara
- uUniversal History
- uUpādhyāya
- uUpāṅga
- uUpaniṣads
- uUpāsaka
- uUpasarga
- uUpāśraya
- uŪrdhva-loka
- uUtsarpiṇī
- uUttarādhyayana-sūtra
- vVāhana
- vVaimānika
- vVairāgya
- vVaiṣṇava
- vVaiśramaṇa
- vVaiśya
- vValabhī
- vVanaspatikāya
- vVandana
- vVaṇik
- vVarṇa
- vVāsudeva
- vVāsupūjya
- vVayubhūti
- vVeda
- vVedanīya-karma
- vVegetarianism
- vVehicle
- vVernacular
- vVerso
- vVidyā
- vVidyā-devī
- vVihāra
- vVijñapti-patra
- vVikrama-saṃvat
- vVikṛti
- vVimala
- vVinaya
- vVipāka
- vVirji Vora
- vVirodhaja
- vVīrya
- vVisarga
- vViṣṇu
- vVītarāga
- vVizier
- vVotive
- vVow
- vVrata
- vVS
- vVyakta
- vVyantara
- vVyasana
- yYakṣa
- yYakṣī
- yYantra
- yYaśoda
- yYaśovijaya
- yYati
- yYātrā
- yYoga
- yYoginī
- yYojana
Description
On the left, a lady is on her couch in her bedroom. It is the brahmin Devānandā, in whom Mahāvīra’s embryo first took shape. On the right side is Hariṇaigameṣīn, the commander-in-chief of the god Śakra. As is usual, he is shown with the face of an antelope, after which he is named.
Obeying Śakra’s command, Hariṇaigameṣin has transformed himself into the form the gods adopt on entering the world of humans. He has crossed numerous continents and finally reached Devānandā’s house to remove Mahāvīra’s embryo from her womb. This is because future great men such as Jinas cannot be born of a brahmin mother.
He has made Devānandā and her attendants fall into a deep sleep. Saying, “May the Venerable One permit me,” Hariṇaigameṣin takes the Venerable Ascetic Mahāvīra in the folded palms of his hands without hurting him. Now Hariṇaigameṣin is leaving the house with the embryo in his hands.
The long protruding eye is a typical feature of western Indian painting. Its origin is not clearly known.
Note the painter’s care for details of the figures as well as of the furniture and decorative elements.
Other visual elements
As with many Kalpa-sūtra manuscripts, there is a clear intention to make the manuscript a valuable and remarkable object in itself. This aim is signalled by the:
- shape and style of the script, which is close to calligraphy
- red background for the text
- gold ink instead of the standard black ink for the writing
- gold in the paintings instead of ordinary colours
- decorated borders with floral arabesques in blue, black and red.
- division of the text into two parts by a central border of intricate blue arabesques.
The three red discs along the central horizontal plane are symbolic reminders of the way in which manuscripts were bound at one time. Strings through one or more holes in the paper were used to thread together the loose folios so the reader could turn them over easily. The discs are in the places where the holes would once have been.
Script
The elaborate script used is the Jaina Devanāgarī script, which is here like calligraphy. There are a few notable features of this script, namely:
- it is an old type in the way the sounds e and o are notated when used with a consonant, known as pṣṭhamātrā script
- the use of the number 2 to avoid repeating a word or a phrase already mentioned, for example line 4: ‘2 Bhārahe vāse‘ means ‘jeṇ’eva Bhārahe vāse‘.