Category:Jambū-dvīpa-prajnapti-sūtra (MS. Ind. Inst. Sansk. 109)

Opening page – floral decoration

Description

There is no text on this page. Sometimes Jain manuscripts have purely decorative pages, such as this one, either before the text starts or at the end after it is complete. Such pages are like covers.

As a rule, such pages do not depict any scene. They present ornamental motifs of several geometric shapes. The shape on this page does not show any special item or holy symbol. It cannot be said to have any specific relationship with the text on the following pages. However, it functions as an auspicious symbol.

Decorative motifs are often intricate, as if to underline the idea of abundance and wealth. Colours – here red, blue and yellow – are lavishly used in harmonious patterns. Here the main circular form is continued by two arrow-like offshoots on either side. Four additional motifs are shown at each of the four corners, with flower-like shapes in between.

Background

The Jambū-dvīpa-prajñapti is part of the Śvetāmbara canon. It belongs to the second group, the Upāngas, of which it is the sixth. Like all the texts belonging to the Śvetāmbara canon, its language is the variety of Prakrit known as Ardhamāgadhī.

The Jambū-dvīpa-prajñapti deals with the description and geography of the Jambū-dvīpa, which is the central continent of the Jain universe. The main part of the work deals with the seven lands and the six mountain chains that make up Jambū-dvīpa.

Among these lands, Bharata is the main focus of attention. The land is named after its ruler, the first Universal Emperor Bharata. The text gives an important place to legends connected with the life of Ṛṣabhanātha or Lord Ṛṣabha, the first Jina, and his eldest son Bharata. It also provides information about the divisions, mountains, lakes and rivers of the Jambū-dvīpa. Matters of time, which are inseparable from cosmology, are covered in the final part of the work.

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