Not everything in this colophon is clear so a translation would be premature. However, the following observations can be made at this point.

The production of this manuscript was inspired by Jinaharṣa-sūri of the Kharatara-gaccha, one of the most powerful Śvetāmbara Mūrti-pūjak monastic orders in western India.

The monastic lineage shown here is a dissident branch of the main Kharatara-gaccha sect, known as the Pippalaka-śākhā. Jinavarddhana-sūri was its first leader, in approximately the second half of the 14th century. His successors are named here as Jinacandra-sūri, Jinasāgara-sūri, Jinasundara-sūri and Jinaharṣa-sūri. They are also known from many other sources.

The remaining part gives information about the extended family of lay Jains who were involved in getting the manuscript copied. Although not everything is clear, it seems that the family, including the women, are known for other pious activities recorded here. Given the nature of these actions, it is likely that the family was wealthy and closely devoted to Jinaharṣa-sūri, the head of the monastic order. Their other devout activities include:

• organising a pilgrimage to the holy place of Shatrunjaya in Gujarat, in which the ceremony where Jinaharṣa-sūri was given the highest monastic title – sūri, meaning pontiff or head of the monastic order – took place
• partly funding the restoration of temples in another significant Jain holy place, Mount Girnar
• other religious works in the service of Jainism – sādharmika-vātsālya.

The two persons who arranged for the manuscript to be copied did it for the benefit of their brother. This means that it was done in his memory after he had died.