Background
Glossary
Description
- a thunderbolt, which resembles a trident
- an elephant goad
- a lotus bud.
Other visual elements
The bottom of the right margin contains the number 15, which is the folio number. The central diamond filled with golden ink is a decorative ornament. Jain manuscripts usually have three on verso sides, like here. The thick margins are also filled with golden ink. The bottom of the right margin contains the number 86, which is the folio number. The three golden diamonds along the central horizontal plane are symbolic reminders of the way in which manuscripts were bound at one time. Strings through three holes in the paper were used to thread together the loose folios so the reader could turn them over easily. The diamonds are in the places where the holes would once have been.Script
The elaborate script used is the Jaina Devanāgarī script, which is here like calligraphy. It is an old type in the way the sounds e and o are notated when used with a consonant, and is known as pṣṭhamātrā script. In this particular folio there are occasional rings above the main line of writing. These notate the nasalised vowels and are used instead of simple dots. There are examples above the first line.- Source:
Victoria and Albert Museum
- Shelfmark:
IS 84-1963
- Author:
unknown
- Date of creation:
early 16th century
- Folio number:
15 verso
- Total number of folios:
unknown
- Place of creation:
western India
- Language:
Ardhamāgadhī Prākrit
- Medium:
opaque watercolour and gold on paper
- Size:
- Copyright:
V&A Images/Victoria and Albert Museum, London
- Image Copyright:
- +
- aAbhavya
- aAbhinandana
- aAbhiṣeka
- aĀcāra
- aĀcārāṅga-sūtra
- aĀcārya
- aAchalbhrata
- aAḍhāī-dvīpa
- aAdharma
- aAdho-loka
- aAdhyayana
- aAdvaita Vedānta
- aĀgama
- aAghātīya
- aAghātīya-karman
- aAgnibhuti
- aAgra
- aĀhāra
- aAhiṃsā
- aAhimsa Day
- aAjita
- aAjīva
- aAkampit
- aĀkāśa
- aAkbar the Great
- aAkṣaya-tṛtīyā
- aAlauddin Khalji
- aAlbert Einstein
- aAllah
- aAlms
- aĀlocanā
- aAloka-ākāśa
- aAmāri
- aAmbikā or Kūṣmāṇḍinī
- aAnagāra
- aAnanta
- aAnarthadaṇḍa
- aAnaśana
- aAnekānta-vāda
- aAṅga
- aAniconism
- aAnojjā
- aAntarāla
- aAntarāya-karma
- aAṇu
- aAṇu-vrata
- aAnukampā
- aAnuprekṣā
- aAnusvāra
- aApabhraṃśa
- aAparigraha
- aAra
- aĀrambha
- aĀrambhaja
- aĀratī
- aArdhamāgadhī Prākrit
- aArhaṃ
- aArhat
- aArśana-āvaraṇīya-karma
- aĀrta-dhyāna
- aĀryikā
- aĀryikā Jñānamati
- aĀśātanā
- aĀścarya
- aAscetic
- aAsceticism
- aAshram
- aAspiration
- aĀsrava
- aAṣṭa-maṅgala
- aAṣṭāpada
- aAstikāya
- aAstrolabe
- aAsura
- aAtheism
- aAticāra
- aAtiśayakṣetra
- aAtithisaṃvibhāgavrata
- aĀtma-vāda
- aĀtman
- aAuṃ
- aAurangzeb
- aAuspicious
- aAusterity
- aAvadhāna
- aAvadhi-jñāna
- aĀvaraṇī-yakarman
- aAvasarpiṇī
- aAvatāra
- aAvidyā
- aAxiom
- aĀyāga-paṭa
- aĀyambil
- aĀyu-karma
- aĀyurveda
- bBabur
- bBāhubali
- bBaladeva
- bBālāvabodha
- bBandha
- bBasadi
- bBazaar
- bBhadrankarvijay
- bBhagavant
- bBhaktāmara-stotra
- bBhakti
- bBhale
- bBharata
- bBhāṣā
- bBhāṣya
- bBhaṭṭāraka
- bBhāva
- bBhāva-pūjā
- bBhāvanā
- bBhavana-vāsin
- bBhavya
- bBhavyatva
- bBhaya
- bBhoga-bhūmi
- bBhogopabhoga
- bBodhi
- bBollywood
- bBrahmā
- bBrahma-deva
- bBrahmacārī
- bBrāhmaṇa
- bBraj Bhāṣā
- bBright fortnight
- bBritish Raj
- bBuddha
- bBuddhi-sagar
- bBuddhism
- bBuddhist
- cCaitya
- cCaityavāsin
- cCakravartin
- cCakreśvarī
- cCāmara
- cCandanā
- cCandragupta
- cCandraprabha
- cCanon
- cCāritra
- cCāritramohanīya-karman
- cCarũrī
- cCaste
- cCaturvidha-saṅgha
- cCaturviṃśati-stava
- cCāturyāma
- cCE
- cCelibacy
- cCha
- cChadmastha
- cChastity
- cCheda-sūtra
- cChristian
- cChristianity
- cClergy
- cCloning
- cColophon
- cCommentary
- cConch
- cConfession
- cCongregation
- cConsecration
- cCosmology
- cCremation
- cCrore
- cCult
- cCūrṇi
- dDādā-guru
- dDalit
- dDāna
- dDaṇḍa
- dDark fortnight
- dDarśana
- dDarśanamohanī-yakarman
- dDaśa-lakṣaṇa-parvan
- dDeity
- dDelhi Sultanate
- dDerāsar
- dDeśāvakāśika-vrata
- dDetachment
- dDevanāgarī
- dDevānandā
- dDevarddhi-gani
- dDevotee
- dDhamal
- dDhanuṣ
- dDhāra
- dDharma
- dDharma-dhyāna
- dDharma-sāgara
- dDharmastikaya
- dDhātakīkhaṇḍa
- dDholak
- dDhyāna
- dDiaspora
- dDig-vrata
- dDigambara
- dDīkṣā
- dDisciple
- dDīvālī
- dDivya-dhvani
- dDNA
- dDoctrine
- dDogma
- dDonor
- dDoṣa
- dDravya
- dDravya-pūjā
- dDrone
- dDuṣamā
- dDuṣamā-duṣamā
- dDuṣamā-suṣamā
- dDveṣa
- dDvīpa
- eEast India Company
- eEightfold Path
- eEkānta-vāda
- eEkendriya
- eElder
- eElders
- eEschatology
- eEtc up to
- fFarmān
- fFast
- fFatehpur Sikri
- fFestival
- fFestschrift
- fFiruz Shah
- fFly-Whisks
- fFolio
- fFour Noble Truths
- gGaccha
- gGaṇa
- gGaṇadhara
- gGanadharavada
- gGaṇeśa
- gGaṇin
- gGarba
- gGarbha
- gGarbha-gṛha
- gGaruḍa
- gGati
- gGene
- gGenomics
- gGhātī-yakarman
- gGhātīya
- gGhaznavid
- gGhiyasuddin Tughlaq
- gGhurid
- gGloss
- gGotra-karma
- gGujarāt
- gGujarati
- gGuṇa
- gGuṇa-sthāna
- gGuṇa-vrata
- gGupti
- gGuru
- gGuruṇī
- hHagiography
- hHajj
- hHaṃsa
- hHaribhadra
- hHariṇaigameṣin
- hHasta
- hHeresy
- hHiṃsā
- hHindi
- hHindu
- hHinduism
- hHīravijaya
- hHoroscope
- hHrīṃ
- hHumayun
- hHymn
- iIconoclasm
- iIconography
- iIdol
- iIndian Independence
- iIndology
- iIndra
- iIndrabhūti Gautama
- iIndriya
- iInitiation
- iIntercession
- iInvocation
- iIQ
- iIslam
- iIslamicate
- iIṣṭadevatā
- iĪśvara
- jJagat
- jJahangir
- jJain
- jJaina Devanāgarī
- jJaina Śaurasenī
- jJaina-dharma
- jJainaśāsana
- jJainness
- jJaisalmer
- jJamāli
- jJambū-dvīpa
- jJames Burgess
- jJanma
- jJanma-kalyāṇa
- jJarā
- jJāti
- jJina
- jJina-āgama
- jJina-bhavana
- jJina-bimba
- jJina-mātā
- jJinacandra-sūri
- jJinadatta
- jJinaprabha
- jJīva
- jJñāna
- jJñāna-āvaraṇīya-karma
- jJñāna-āvarṇiya
- jJñānsundar
- jJyotiṣka
- kKāla
- kKālakācārya-kathā
- kKālidāsa
- kKalpa-sūtra
- kKalpa-vṛkṣa
- kKalyāṇaka
- kKalyanvijay
- kKamaṇḍalu
- kKamaṭha
- kKarma
- kKarma-bhūmi
- kKarma-grantha
- kKarma-prakṛti
- kKarma-vāda
- kKarmon
- kKarnataka
- kKaṣāya
- kKathā
- kKāvya
- kKāya
- kKāyotsarga
- kKeśa-loca
- kKetu
- kKevala-jñāna
- kKevalin
- kKhalji
- kKharatara-gaccha
- kKnowledge
- kKriyā
- kKriyā-vāda
- kKṛṣṇa
- kKṣamā-śramaṇa
- kKṣapakaśreṇi
- kKṣatriya
- kKṣullaka
- kKulakara
- kKundakunda
- kKunthu
- lLabdhi
- lLaity
- lLakh
- lLāñchana
- lLands of Action
- lLaukāntika
- lLavaṇa-samudra
- lLeśyā
- lLiṅga
- lLinguistics
- lLoka
- lLoka-ākāśa
- lLoka-puruṣa
- lLoka-vāda
- lLotus
- lLotus lake
- mMadhya-loka
- mMahā-videha
- mMahā-vrata
- mMahābhārata
- mMahāmastakābhiṣeka
- mMāhārāṣṭra
- mMāhārāṣṭrī Prākrit
- mMahattarā Yākinī
- mMahāvīr Jayantī
- mMahāvīra
- mMakāra
- mMakkhali Gośāla
- mMalli
- mMāna-stambha
- mManaḥ-paryāya-jñāna
- mMaṇḍala
- mMaṇḍapa
- mMandit
- mMaṅgala
- mMantra
- mMantras
- mManuṣya-loka
- mMarāṭhī
- mMārgaṇā
- mMartyr
- mMarudevī
- mMaṭha
- mMati-jñāna
- mMauryaputra
- mMecca
- mMendicant lineage
- mMetarya
- mMiracle
- mMithyādṛṣṭi
- mMohandas Gandhi
- mMohanīya-karma
- mMokṣa
- mMonastic order
- mMonasticism
- mMonk
- mMonotheism
- mMosque
- mMount Meru
- mMount Sammeta
- mMṛgāvatī
- mMughal
- mMuhammad
- mMuhammad bin Tughlaq
- mMuhpattī
- mMūla-sūtra
- mMūlaguṇa
- mMumbaī
- mMuni
- mMunisuvrata
- mMurad Bakhsh
- mMūrti-pūjaka
- mMuslim
- mMysticism
- nNābhi
- nNāga-kal
- nNāgapurīya Tapā-gaccha
- nNāgarī
- nNāma-karma
- nNamaskāra-mantra
- nNami
- nNandīśvara-dvīpa
- nNandivardhana
- nNandyāvarta
- nNāraka
- nNāraki
- nNasalisation
- nNātha
- nNavrātrī
- nNaya-vāda
- nNemi
- nNidāna
- nniggaṃthāṇa vā 2
- nniggaṃtho vā 2
- nNigoda
- nNihnava
- nNikṣepa
- nNirgrantha
- nNirjarā
- nNirvāṇa
- nNiryukti
- nNiṣidhi
- nNitya
- nNiyati
- nNo-kaṣāya
- nNudity
- nNun
- oOcean of milk
- oOmniscience
- oOrdination
- ppa°
- pPadmaprabha
- pPadmāsana
- pPadmāvatī
- pPādukā
- pPalanquin
- pPalette
- pPañca-muṣṭi
- pPāṇḍava
- pPaṇḍit
- pPandit Dalsukh D. Malvania
- pPandit Sukhlalji
- pPāṇipātra
- pPāpa
- pParamātman
- pParameṣṭhin
- pPāraṇā
- pParigraha
- pPariṇāma
- pParīṣaha
- pParokṣa
- pPārśva
- pPārśvanātha
- pParyāya
- pParyuṣaṇ
- pPaṭa
- pPatan
- pPātra
- pPenance
- pPersian
- pPhala
- pPhilology
- pPicchikā
- pPilgrimage
- pPīr
- pPolymath
- pPoṣadha
- pPossession
- pPothī
- pPrabhas
- pPradakṣiṇā
- pPradeśa
- pPrākāra
- pPrakīrṇaka-sūtra
- pPrākrit
- pPramāda
- pPramukhā
- pPrati-vāsudeva
- pPratikramaṇa
- pPratimā
- pPratiṣṭhā
- pPratyākhyāna
- pPratyakṣa
- pPravacana
- pPrāyaścitta
- pPrayer
- pPre-modern
- pPreach
- pPredestination
- pProtestant
- pProvenance
- pPudgala
- pPūjā
- pPujārī
- pPukharavara-dvīpa
- pPuṇya
- pPūrva
- pPuṣkara-dvīpa
- pPuṣpadanta
- pPyre
- qQur’an
- rRāga
- rRāhu
- rRainy season
- rRajasthan
- rRajasthani
- rRājimatī
- rRajoharaṇa
- rRajput
- rRāma
- rRāmāyaṇa
- rRangoli
- rRās-garbā
- rRasa
- rRathanemi
- rRatna-traya
- rRātri-bhojana
- rRaudra-dhyāna
- rRecto
- rRelic
- rRenunciation
- rRetroflex
- rRevatī
- %Ṛg-veda
- rRite
- rRosary
- %Ṛṣabha
- %Ṛṣabhanātha
- rRupee
- sSaciyā Mātā
- sSādhu
- sSādhvī
- sSāgāra
- sSaint
- sŚaivaism
- sŚaka-saṃvat
- sSallekhanā
- sŚalya
- sSamacatuṣṭha
- sSamādhimaraṇa
- sSamaṇi
- sSāmarambha
- sSamavasaraṇa
- sSāmāyika
- sSaṃbhava
- sSamiti
- sSaṃjñā
- sSaṃkalpaja
- sSaṃsāra
- sSamudghāta
- sSaṃvara
- sSaṃvega
- sSamyak-cāritra
- sSamyak-darśana
- sSamyak-jñāna
- sSamyaktva
- sSaṃyama
- sSanctuary
- sSandalwood
- sSaṇgha
- sSanskrit
- sSant
- sŚānti
- sSapta-bhaṅgi-naya
- sSārambha
- sSarasvatī
- sSarvajña
- sSāsan-devi
- sŚāsana-devatā
- sŚāstra
- %Ṣaṭ-jīvanikāya
- sSatī
- sSatīmātā
- sSatya
- sSchism
- sScribe
- sScripture
- sSect
- sSecularism
- sŚenāī
- sSermon
- sŚeṣavatī
- sSevā
- sSeven fields of donation
- sShah Jahan
- sShantidas Jhaveri
- sShrine
- sSiddha
- sSiddha-śilā
- sSiddhacakra or Navadevatā
- sSiddhānta
- sSiddhārtha
- sSiddhi
- sSikh
- sSikhism
- sŚikṣā-vrata
- sŚīla
- sSin
- sSindh
- sŚītala
- sŚiva
- sSkandha
- sSomanatha
- sŚraddhā
- sŚramaṇa
- sŚrāvaka
- sŚrāvakācāra
- sŚrāvikā
- sŚreyāṃsa
- sŚrī
- sŚrīvatsa
- sŚruta-jñāna
- sŚruta-pañcamī
- sSthānaka-vāsin
- sSthāpanācārya
- sSthāvara
- sSthavira
- sSthiti
- sStrīmukti
- sStūpa
- sSubcontinent
- sSudarshana
- sŚuddhi
- sSudharma
- sŚūdra
- sSufism
- sSukha
- sŚukla-dhyāna
- sSulasā
- sSultan
- sSumati
- sSundarśrī
- sSupārśva
- sSūri
- sSuṣamā
- sSuṣamā-duṣamā
- sSuṣamā-suṣamā
- sSūtra
- sSuyam me ausam! Tenam bhagavaya evamakkhayam
- sSvādhyāya
- sSvāhā
- sSvastika
- sŚvetāmbara
- sŚvetāmbara Terāpanthin
- sŚvetāmbaras
- sSwan
- sSyād-vāda
- tTabla
- tTantra
- tTapā-gaccha
- tTapas
- tTāraṇ Svāmī Panth
- tTattva
- tTattvārtha-sūtra
- tTemple
- tTemple-city
- tThe Enlightenment
- tTheology
- tThree worlds
- %Ṭīkā
- tTilaka
- tTīrtha
- tTīrthaṃkaranāma-karman
- tTīrthankara
- tTransliteration
- tTrasa
- tTrasa-nāḍī
- tTriśalā
- tTriṣaṣṭi-śalākā-puruṣa-caritra
- tTti bemi
- tTughlaq
- tTunk
- uUdumbara
- uUniversal History
- uUpādhyāya
- uUpāṅga
- uUpaniṣads
- uUpāsaka
- uUpasarga
- uUpāśraya
- uŪrdhva-loka
- uUtsarpiṇī
- uUttarādhyayana-sūtra
- vVāhana
- vVaimānika
- vVairāgya
- vVaiṣṇava
- vVaiśramaṇa
- vVaiśya
- vValabhī
- vVanaspatikāya
- vVandana
- vVaṇik
- vVarṇa
- vVāsudeva
- vVāsupūjya
- vVayubhūti
- vVeda
- vVedanīya-karma
- vVegetarianism
- vVehicle
- vVernacular
- vVerso
- vVidyā
- vVidyā-devī
- vVihāra
- vVijñapti-patra
- vVikrama-saṃvat
- vVikṛti
- vVimala
- vVinaya
- vVipāka
- vVirji Vora
- vVirodhaja
- vVīrya
- vVisarga
- vViṣṇu
- vVītarāga
- vVizier
- vVotive
- vVow
- vVrata
- vVS
- vVyakta
- vVyantara
- vVyasana
- yYakṣa
- yYakṣī
- yYantra
- yYaśoda
- yYaśovijaya
- yYati
- yYātrā
- yYoga
- yYoginī
- yYojana
Description
To the right of the painting, in small script, the caption reads Hariṇegamesī ādeśa– ‘command to Hariṇaigameṣin‘.
The text and painting describe Śakra giving orders to his commander-in-chief Hariṇaigameṣin. He tells him to transfer Mahāvīra’s embryo from the womb of the brahmin Devānandā to the kṣatriya woman Triśalā, wife of King Siddhārtha.
Sitting on a throne under a royal canopy, Śakra, king of the gods, is shown with four arms. Three of his hands hold specific attributes of his position:
- a thunderbolt, which resembles a trident
- an elephant goad
- a lotus bud.
Since his name means ‘antelope-headed’, Hariṇaigameṣin is usually represented as having a human body and the head of an antelope. He stands facing Śakra in a respectful and obedient attitude, signified by his joined palms.
Other visual elements
The bottom of the right margin contains the number 15, which is the folio number.
The central diamond filled with golden ink is a decorative ornament. Jain manuscripts usually have three on verso sides, like here. The thick margins are also filled with golden ink.
The bottom of the right margin contains the number 86, which is the folio number.
The three golden diamonds along the central horizontal plane are symbolic reminders of the way in which manuscripts were bound at one time. Strings through three holes in the paper were used to thread together the loose folios so the reader could turn them over easily. The diamonds are in the places where the holes would once have been.
Script
The elaborate script used is the Jaina Devanāgarī script, which is here like calligraphy. It is an old type in the way the sounds e and o are notated when used with a consonant, and is known as pṣṭhamātrā script.
In this particular folio there are occasional rings above the main line of writing. These notate the nasalised vowels and are used instead of simple dots. There are examples above the first line.