Background
The Kālakācārya-kathā – Story of the religious teacher Kālaka – emphasises the connection between religious practice and magical abilities. As an accomplished Jain teacher, Kālaka can master various magical sciences and transmute brick into gold. He uses his powers to help the Śakas, a foreign population. In exchange, the Śakas help him destroy the wicked King Gardabhilla.
This eventful tale belongs to the Śvetāmbara Jain tradition. It is known in several versions in various languages and is often illustrated.The one in this manuscript is an anonymous text in Sanskrit verse, but the first seven stanzas are missing. Also missing are folios 191 to 197, corresponding to stanzas 33 to 61.
This version is known as Śrīvīra-vākyānumatam from its starting words. It is a short recension, where the story is told in simple language without poetical embellishments. By an unknown author, it is one of the most popular versions of the Kālaka story.
Assorted folios
The pages or folios under this shelfmark belong to different manuscripts. The folios show a variety of handwriting, language and artistic style and are on noticeably different paper.
The folios are from four separate manuscripts, as follows:
- several folios are from a single manuscript of the Kālakācārya-kathā – Story of the Ācārya Kālaka
- three folios are from different manuscripts of the Kalpa-sūtra, an extremely popular text in the Śvetāmbara canon.
There is also a manuscript holder made for an unknown manuscript.
It is not known what has happened to the rest of each manuscript.
Copies of the Kalpa-sūtra and Kālakācārya-kathā are often made in a single manuscript, which may be why these folios were bundled together. At some point in the past these folios and the manuscript holder were put into a box at the British Library and labelled ‘Frags. of Jain Mss. Skt. / Pkt.’ meaning 'Fragments of Jain manuscripts in Sanskrit and Prakrit'. However, it is important to remember that they do not belong together.
Glossary
Description
This page consists of stanzas 23 to 25 of this Sanskrit version of the popular story of Kālaka.
The text on this page relates what the monk Kālaka does when King Gardabhilla refuses to free his sister, the nun Sarasvatī.
Kālaka and the rest of the monastic community have failed to persuade the king to free the nun he has kidnapped. Kālaka deliberately behaves like a madman, talking incoherently. The king's ministers again try to convince him to release Sarasvatī, but Gardabhilla rejects their advice.
Hearing that everything has failed, Kālaka decides to leave Ujjayinī and travel far away. He comes to the land of the Śakas. He stays with one of the sāhis or kings of the Śakas.
Other visual elements
There are several notable things about this page, which is not in perfect condition as the edges are slightly torn.
The Kālaka story is often an appendix to Kalpa-sūtra manuscripts. In many Kalpa-sūtra manuscripts, there is a clear intention to make the manuscript a valuable and remarkable object in itself. This often holds true for the manuscripts of the Kālaka story as well. Here this aim is signalled by the:
- shape and style of the script, which is close to calligraphy
- use of gold ink for the red-edged border lines and ornamental diamond
- division of the text into two equally-sized panels, separated by a 2-centimetre margin containing a golden diamond
- blue ornamental motifs around the golden diamond in the centre.
There is a single ornamental diamond because this is the recto side of a folio.
This version of the Kālaka story is told in poetry. Verse numbers are at the end of each stanza. They are often in red, like here. On this page are the following numbers:
- 23 on line 2
- 24 on line 4.
This means that this page contains verse 23, all of verse 24 and nearly all of verse 25 .
Script
The elaborate script used is the Jaina Devanāgarī script, which is here like calligraphy. There are a few notable features of this script.
Firstly, it is an old type in the way the sounds e and o are notated when used with a consonant, known as pṛṣṭhamātrā script.
There are red vertical lines within the text marking out verse divisions. Single red vertical lines indicate where a verse is divided in two, while double red vertical lines are found at the end of the verse.
- Source:
The British Library Board
- Shelfmark:
Or. 13950
- Author:
unknown
- Date of creation:
unknown
- Folio number:
190 recto
- Total number of folios:
10
- Place of creation:
western India
- Language:
various in Devanāgarī script
- Medium:
opaque watercolour on paper
- Size:
25 x 10.5 cms
- Copyright:
CC0 1.0 (Creative Commons Public Domain)
- Image Copyright:
Stanzas 23 to 25
- Source:
The British Library Board
- Shelfmark:
Or. 13950
- Author:
unknown
- Date of creation:
unknown
- Folio number:
190 recto
- Total number of folios:
10
- Place of creation:
western India
- Language:
various in Devanāgarī script
- Medium:
opaque watercolour on paper
- Size:
25 x 10.5 cms
- Copyright:
CC0 1.0 (Creative Commons Public Domain)
- Image Copyright:
Description
This page consists of stanzas 23 to 25 of this Sanskrit version of the popular story of Kālaka.
The text on this page relates what the monk Kālaka does when King Gardabhilla refuses to free his sister, the nun Sarasvatī.
Kālaka and the rest of the monastic community have failed to persuade the king to free the nun he has kidnapped. Kālaka deliberately behaves like a madman, talking incoherently. The king’s ministers again try to convince him to release Sarasvatī, but Gardabhilla rejects their advice.
Hearing that everything has failed, Kālaka decides to leave Ujjayinī and travel far away. He comes to the land of the Śakas. He stays with one of the sāhis or kings of the Śakas.
Other visual elements
There are several notable things about this page, which is not in perfect condition as the edges are slightly torn.
The Kālaka story is often an appendix to Kalpa-sūtra manuscripts. In many Kalpa-sūtra manuscripts, there is a clear intention to make the manuscript a valuable and remarkable object in itself. This often holds true for the manuscripts of the Kālaka story as well. Here this aim is signalled by the:
- shape and style of the script, which is close to calligraphy
- use of gold ink for the red-edged border lines and ornamental diamond
- division of the text into two equally-sized panels, separated by a 2-centimetre margin containing a golden diamond
- blue ornamental motifs around the golden diamond in the centre.
There is a single ornamental diamond because this is the recto side of a folio.
This version of the Kālaka story is told in poetry. Verse numbers are at the end of each stanza. They are often in red, like here. On this page are the following numbers:
- 23 on line 2
- 24 on line 4.
This means that this page contains verse 23, all of verse 24 and nearly all of verse 25 .
Script
The elaborate script used is the Jaina Devanāgarī script, which is here like calligraphy. There are a few notable features of this script.
Firstly, it is an old type in the way the sounds e and o are notated when used with a consonant, known as pṛṣṭhamātrā script.
There are red vertical lines within the text marking out verse divisions. Single red vertical lines indicate where a verse is divided in two, while double red vertical lines are found at the end of the verse.
Kalpa-sūtra and Kālakācārya-kathā (I.O. San. 3177)
The British Library Board I.O. San. 3177 unknown 1437
Kālakācārya-kathā (Beta 365)
Wellcome Trust Library Beta 365 Bhāvadeva-sūri probably 15th to 16th centuries
